Tuesday, June 7, 2011
Monday, June 6, 2011
The Photographers
I really liked some of the photos David Doubilet shot. I liked the line of watter he uses to split two angles above and below the water, both of which alone would have been good shots. This photo uses rule of thirds heavily, the waterline, the sting ray, and the ship in the background. the lighting of the water, with the wavy sand lines, stingrays shadow. also, the rule of thirds was predominate.
Framing
Sunday, June 5, 2011
the over head lighting brings shadow to the eyes and definition to the bone structure.
in this one the side lighting pulls out definition in the face providing age or knowledge.
in this i see a fearful yet powerful man. like a caged animal almost.
this portrait brings a sympathetic feel.
the tattoo is showing a heritage of his own. an individualistic photo.
the happy little girl reminds me of a little girl playing at a park and posing really quick for her mom.
the intense side lighting puts forth a lot of emotion.
more dramatic side lighting.
the confused face of a cute newborn. intriguing and confused.
the portrait shows a man doing what hes got to do, his job, his dedication.
Dramatic lighting notes
Side lighting can be used
(windows, a low sun light)
Set the light meter when the face is lit (face takes up full view)
back away and snap photo from wanted position.
another way is to underexpose the shutter speed by 1 or 2 clicks (faster speed)
(windows, a low sun light)
Set the light meter when the face is lit (face takes up full view)
back away and snap photo from wanted position.
another way is to underexpose the shutter speed by 1 or 2 clicks (faster speed)
Portraits
To me a great portrait is s photo that can simply bring out an emotion with an expression. The photo has a certain feel to it, like you can imagine what the subjects feeling in the photo. Some of the most famous portraits have little in th background, maybe a painted wall or tiles. The subject also is often giving a subtle expression of happiness or even sadness. To me the combination of subtle expressions and limited background make a good portrait.
Tuesday, May 31, 2011
Framing in Photography
Hands and Feet
Thursday, May 19, 2011
Rule of Thirds
Conveying a Message Critique
All an' all I think the picture was good but I with the film had been a little clearer so there wernt any lines across his face. I also feel like I should've burned the backround bit more to bring out details in the buildings and even the clouds. It wouldve made the mackround a lot less destracting.
Wednesday, March 30, 2011
From the DVD
1st) I really liked the photo of the feather on the rocks. it was just a matter of the simplicity and tranquility with the water in the background.
2nd) He did that project of taking ONE photo a day for 90 days to take what he had learned over the years and try and put them all together, instead of shoting many differant shots.
3rd) Some of his photography
2nd) He did that project of taking ONE photo a day for 90 days to take what he had learned over the years and try and put them all together, instead of shoting many differant shots.
3rd) Some of his photography
Lines (critique)
I think I could have gotten a little more creative with the lines assignment. The ones I took seemed rather bland and in printing they came out a little gray and bland. I would have added a little contrast to the bricks photo and with the fence one also.
Lines
This picture is leading your eye to the top left corner with diagonal lines.
I like this one because the swirls on the fire draw you into it.
the eye for me gose imediatly to the center of the picture.
curves in the road lead around the hill adding an aspect of mystery. whats hehind the hill? where are you going?
the dead crops have an aspect of dsipair or disturbing. the lines point to almost a nothingness.
I like this one because the swirls on the fire draw you into it.
the eye for me gose imediatly to the center of the picture.
curves in the road lead around the hill adding an aspect of mystery. whats hehind the hill? where are you going?
the dead crops have an aspect of dsipair or disturbing. the lines point to almost a nothingness.
critique (depth of feild)
On my depth of field pictures I think I did pretty well on, I was mainly in the woods so there were quite a few of "repeating" subjects; I lacked variety. but for the most part I think I had a well done picture of a very interesting log, and a wider view of the tops of the trees in a clearing. Again a lack of variety but it wasn't too bad.
Depth of Feild
The three above have very shallow depths of feild, focusing only on a very spacific aspect of the picture.
the three above now have very wide depths of feild, expanding the view over a very large distance and it dosen daw your eye to a very specific point.
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